MIXING WITH UAD PLUGINS HOW TO
Co-mixer Alex Aldi and I made sure to focus on how to balance the idea of weight, size, and “wall of sound,” whilst still retaining all the detailed work inside of the song. Like a lot of songs on this record, it's quite a dense mix with layers and layers of stuff going on.
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The song we're going to take a look at is a Passion Pit song, "It's Not My Fault I'm Happy," from their latest album, Gossamer. Because of that, UAD plug-ins have become an indispensable part of my workflow. A lot of the records I do have high track counts, which can lead to some submixing in Pro Tools coming out to the desk. I tend not to focus on whether a software emulation sounds exactly like the real thing or not, I focus on if it sounds good. Just because I have so much of the "real thing" in my room doesn't always mean that it's the right tool for the job. Universal Audio Releases UAD 9.1 With Excellent Mixing Plugins & New Windows 10 Feature SSL 4000 E Channel Strip and Moog Multimode Filter Plug-In. At first it was the reverbs - like the EMT 140, EMT 250, and DreamVerb - that stood out to me, but soon after I became addicted to the SSL E Channel Strip, Harrison 32C EQ, Neve 1073 EQ, as well as too many others to list. Our UAD Vocal Sauce is our warmest and most powerful vocal chain preset that simplifies the power of an entire mixing template into a simple 8-knob user.
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I was first properly introduced to UAD plug-ins a few years ago by Ed Macfarlane from Friendly Fires he had been using them to great effect in making his own records. I don't feel like I have to rely on plug-ins, but instead I choose to use them to enhance what I'm already hearing. Ariel Borujow is chief engineer at famed New York studio Stadium Red, where he spends most his time crafting mixes for artists ranging from Mac Miller. So, I have a different relationship to plug-ins than a lot of people. I still mix on a 60-channel Neve console, with three towering racks of gear looming around me.
MIXING WITH UAD PLUGINS FULL
In this Producer's Corner, he shows us how he uses UAD Powered Plug-Ins to help shape the sound of a track off of Passion Pit’s latest album, Gossamer, which he produced.įirst things first, full disclosure - I'm a bit of an analog gear junkie. The tracks are dry, but there’s still this openness and stereo width. Like a lot of people, I’m impressed with the space and ambience in the mixes. They’ve made mixing in-the-box not such a bad word anymore. Passion Pit producer, Chris Zane, with his UAD Powered Plug-Ins.Ĭhris Zane is a New York-based producer, engineer, and mixer who has worked with such artists as The Walkmen, Holy Ghost!, and Friendly Fires. So from the get-go, UAD plug-ins have been a part of my workflow.
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